Friday, December 26, 2014

ANCIENT ROAD RUTS & THE WIDTH MODERN RAILROAD GAUGES

This little gem about railroad gauges and ancient road ruts was copied from the archives of rogueclassicism .  Not all the links are still active.

Railroad Gauge Canard


Haven't seen this one in ages, but the Brantford Expositor repeats this one which might not be well-known to a newer generation of Classicists:


Here's a bit of train lore that may help you keep your life on the rails.

Though few people realize it, the standard width of train tracks around the world owes its origin to ancient chariots. According to legend, rail lines are precisely four feet, 8 1 /2 inches wide, because that was the uniform width of British wagons. British wagons were that width because the country's roads were built by the Romans, whose chariots were always four feet, 8 1 /2 inches wide. By making wagons with that same measurement, their wheels would fit into the ruts carved by the Roman chariots, making it easier to travel.

But the Encyclopedia of Railways says the standard size of rail tracks actually goes back to the time of Darius, the king of Persia (ancient Iran) who lived long before the Romans and is mentioned in Daniel 6:23. Since the king's military roads often passed along steep mountains, grooves were cut into those corridors to hold the chariot wheels and keep the vehicles from flying over the edge when horses were driven at top speed. Those grooves were precisely four-feet, 8 1 /2 inches wide, and can still be found today.

By the time of the Romans, chariots were usually banned from cities that were designed mostly for pedestrians. At night, though, lumbering four-wheeled freight wagons were allowed in to carry goods to market. Since the streets were narrow and poorly lit, grooves were cut in the pavement to guide the big carts and stop them from hitting each other or the raised stones that marked most intersections. Again, those grooves were the same width as today's train tracks. [etc.]


Way back when rogueclassicism was young (in blog years), 
we posted another example of this and referred readers to a post by amicus noster Al Kriman on the Classics list on October 23, 1999. Since the old archives of the Classics list are only available via the Wayback Machine, I'll reproduce AK's post here in the interests of having some accurate info readily available for folks who try to confirm or refute this canard in the future ... I include AK's footnotes and endnotes, but many of them are now inaccessible (or at least not easily accessible):
Mark Joseph reposts a perennial [[26]], suspecting that its premise is an urban legend
...
> Thus, we have the answer to the original question. The United States
> standard railroad gauge of 4 feet, 8.5 inches derives from the
> original specification for an Imperial Roman war chariot.

Short answer: almost certainly false, but interesting details along the way to knowing so.

Very long answer:
This made its first appearance on the list three years ago. After a number of appearances in October and December that year, it reappeared in December 1997. It was reported to have appeared elsewhere at least as early as June 1996. Starting at [[1]], I've listed in chronological order the archive URL's for almost all the relevant postings. I've given explicit numbers for those that I cite; a space indicates a new introduction of the topic. Lettered footnotes preceed the numbered endnotes. (My next posting will have a complete ap. crit.)

It is well-known that in the early days of railroads in North America, there was a profusion of different track gauges, and that after the Civil War there began to be substantial standardization. (George Westinghouse, inventor of the air brake, was a major proponent of standardization.)

Christopher Robbins wrote [[23]]:
> In fact, track gauges around the world have varied from less than 2' to as
> much as 7', and 5' 6" track gauges are still in use. Narrow gauges are
> typical in the early stages of railroading and in underdeveloped countries
> because they are generally less costly to construct and equip. And even
> today roughly 40% of the world's railroads do not use the so called
> standard gauge.

> In the early years, many North American lines were built with gauges that
> were both wider and narrower than the so called standard gauge. No doubt
> that the importation of English locomotives was an influence on the use of
> the standard gauge for the lines which planned to use those locomotives.
> But it is not at all certain that this alone would have been sufficient for
> the standard gauge to become standard once US industrial capacity began to
> flourish in the second half of the 19th c. Indeed, there was quite a
> controversy over this, and as best I recall one of the various influences
> which led to the increased adopotion of the standard gauge was the money
> and political influence of George M. Pullman (whose big, heavy luxury cars
> introduced in the mid-1860's required a wider gauge than in fact was more
> the norm at the time). Were it not for ad hoc interventions such as this,
> it would be hard to guess what gauge would be called "standard" in the U.S.today.


See [[a]] for gauges between 381mm (1'3") and 1676mm (5'6") in use around the world. See also George Pesely [[2]].

Thus, if a Roman standard exerted an influence, it could not be in the way described in the xeroxlore -- by affected initial choices in a way that was difficult to overcome later. The most that might be argued consistently with the actual variety of gauges is that *some* of the players initially chose a Roman gauge. (No historical evidence for such a choice was adduced in any of the threads.) Given the various political and business considerations involved, it does not appear that the Roman legacy could have been decisive in the choice between wide and narrow gauges.

On the other hand, if major factors (e.g., Pullman, as suggested by CR) favored a range of gauges, then the particular gauge chosen might have been subject to weaker influences. One could then argue that, given the chance, the Roman gauge prevailed over other similar gauges. This argument can only be pressed, however, if there really was a rather precise Roman gauge. If there was only a loosely defined Roman gauge between, say, 5'5" and 5'11", it is hard to make any credible claim about its influence.

It turns out that there _was_ a rather precise standard, and there was a very old standard in Northern England (4'8") that eventually "won out." (An extra half inch was added to reduce friction against the flanges.) This was the gauge used by Robert Stevenson, identical to the wheelbase of coal carts drawn by horses (and by men, inside the mines). This may have been traditional, but since the coal lines were (I think) of recent vintage, they did not reflect technology caught in an ancient rut. It is claimed that the 4'8" was a compromise found appropriate over time at the collieries. The information in this paragraph is based on postings in news:alt.folklore.urban by Richard Bowles [[b]]. This appears to be the source of the lengthy information that Bob Rust was reluctant to post to the list [[3]]. (Related information further below.)

What this does imply, however, is that the great initial variety of North American gauges was ultimately irrelevant. When a gauge was adopted, it was in fact the one that had become fairly standard in the UK, France, and Germany. This is not really too surprising, since in that era, Britain was the industrial superpower. This need not reflect a disadvantageous compromise of N. American interests. Ultimately, the advantage of one standard over no standard is much greater than the slight relative advantages of different possible standards over each other, so once a particular standard gains some advantage, it tends to snowball. (E.g., MS-DOS over CP/M, Metcalfe's Law [[c]].)

The point above must be emphasized, because the variety of early US and Canadian gauges is often regarded as telling against the Roman-standard hypothesis (e.g., see the second missive from the Stumpers list, [[22]]). Although the Roman-origin story be false, this is not evidence against it.
>>From the same source, [[b]], it also appears that earlier North American gauges were generally wider than the 5'8.5" standard, so perhaps Pullman's influence did not count for as much as CR suggests.

So US standards are ultimately derived from a UK standard. But what does this have to do with antiquity? In fact, apparently not too much. Here's what Sue Watkins found [[25]]:

> From: Jacques Gerber (3mm Society)
>
> Colliery and mine plateways developed in Central Europe from the
> Sixteenth Century onwards, the first known in Britain (1604)
> having a 3'9" guage.
>
> This eventually developed into the Eighteenth Century network of
> wooden railways and wagonways in the North East of England all with
> guages of about 4-5' apart.
>
> The characteristic "Chaldron" wagon was initially hauled by horse
> power on these lines from mine to canal or river, and its guage was
> adopted by the first line built by George Stepehenson that was entirely
[Robert's brother, I think -- AMK]
> worked by steam power (stationary rope-haulage engines on the inclines
> and locomotives on the flatter bits). The Hetton Colliery Railway was 8
> miles long and built to the 4'81/2" or "Stephenson" guage.
>
> In 1820, John Birkenshaw patented the development of malleable iron
> rails 18 foot long of "bullhead" cross-section, giving a stable track
> for heavier locos and a smoother ride for passengers on the Stephenson
> guage. By 1860, an act of parliament decreed that all new British railways
> had to be of Stephenson guage.
>
> [the compatition at the time was the Brunels broad guage]

So it doesn't look promising for a Roman origin, but was there an ancient standard?
As Mark Snegg [[15]], RMBragg [[19]], Carin Green [[24]] and later others noted, the age of the chariot as an efficient weapon of war had long passed by Roman Imperial times, and Romans used chariots primarily in races (there's further relevant information in the OCD under "transport, wheeled"). Be it understood that we're really talking about carts. Be it further understood that we're talking oxen probably more often than horses, whose hindquarters have a different gauge than horses'.

There is extensive, but not universal, evidence of deep ruts: Graham Shaw [[5]] and Edwin Menes [[12]] (personal observations at Pompeii), Steven Willett [[13]], Bill Thayer [[16]] and probably others (you could look it up). Pompeii is important because the argument is often brought around to Roman intercity roads and away from streets, and the claim is made that the Romans maintained smooth roads, the ruts only appearing late (this is a bit much, ask me). Peter Green wondered whether there was not in fact a Greek precursor [[6]]. Jim Roy [[9]] posted

> Yanis Pikoulas' recent book (in Greek) on roads and forts in
> Corinthia and the Argolid shows, from surviving ruts, that there was
> a standard gauge of c. 1.4 metres. He argues that it was imposed by
> the Spartans in the second half of the sixth century BC.

4'8" = 142 cm.
(Note that the Greeks built rutways rather than roads.)

(I should probably add that Tom Simms [[18]], by some rather confident analysis of photographs of King Tut's hunting chariot, claimed to obtain 4'9".)


Footnotes (!):
[[a]]
http://129.49.21.22/RR/misc/gauges.html
[[b]]
http://urbanlegends.com/misc/railroad_gauge.html [[c]]
(Bob) Metcalfe's Law, so dubbed by George Gilder in his book _Telecosm_, is:

The value of a network can be measured
by the square of the number of users.
It's the conclusion of an argument made by BM promoting computer networking standards in 1980, and it explains a kind of natural monopoly based not on superiority of product but on the instability of polygopoly (not my term). Railroads are networks too. By a slight adjustment, the same rule explains why Betamax lost.

Endnotes (:-):
[[1]] Diane Cooper
gopher://140.142.56.13/0R458769-461635-/public/classics/classics.log9610b [[2]] George Pesely
gopher://140.142.56.13/0R467589-469910-/public/classics/classics.log9610b gopher://140.142.56.13/0R4809-6524-/public/classics/classics.log9610c [[4]] Bob Rust
gopher://140.142.56.13/0R196813-198460-/public/classics/classics.log9610c [[5]] Graham Shaw
gopher://140.142.56.13/0R294332-296738-/public/classics/classics.log9610c [[6]] Peter Green

gopher://140.142.56.13/0R302153-303668-/public/classics/classics.log9610c
gopher://140.142.56.13/0R310947-312139-/public/classics/classics.log9610c
gopher://140.142.56.13/0R312139-313924-/public/classics/classics.log9610c

[[9]] Jim Roy
gopher://140.142.56.13/0R343317-344614-/public/classics/classics.log9610c

gopher://140.142.56.13/0R146265-149119-/public/classics/classics.log9610e gopher://140.142.56.13/0R150404-153281-/public/classics/classics.log9610e [[12]] Edwin Menes
gopher://140.142.56.13/0R157822-159048-/public/classics/classics.log9610e [[13]] Steven Willett
gopher://140.142.56.13/0R303336-306193-/public/classics/classics.log9610e

gopher://140.142.56.13/0R610795-613802-/public/classics/classics.log9612a [[15]] Mark Snegg
gopher://140.142.56.13/0R622455-624426-/public/classics/classics.log9612a [[16]] Bill Thayer
gopher://140.142.56.13/0R43577-47291-/public/classics/classics.log9612b gopher://140.142.56.13/0R64956-67055-/public/classics/classics.log9612b

[[18]] Tom Simms via Holly Oyster
gopher://140.142.56.13/0R299864-306020-/public/classics/classics.log9612c [[19]] RMBragg@aol.com
gopher://140.142.56.13/0R316238-317214-/public/classics/classics.log9612c

gopher://140.142.56.13/0R443484-446657-/public/classics/classics.log9712b gopher://140.142.56.13/0R448525-450296-/public/classics/classics.log9712b [[22]] Gifford Combs via David Wigtil
gopher://140.142.56.13/0R450296-453113-/public/classics/classics.log9712b [[23]] Christopher Robbins
gopher://140.142.56.13/0R455809-462146-/public/classics/classics.log9712b [[24]] A bunch together:
gopher://140.142.56.13/0R465130-477921-/public/classics/classics.log9712b [[25]] Sue Watkins, as herself and channeling Jacques Gerber gopher://140.142.56.13/0R477921-481681-/public/classics/classics.log9712b
[[26]] Mark Jacob
gopher://140.142.56.13/0R375435-378510-/public/classics/classics.log9910d
Posted by david meadows on Jul-01-08 at 8:23 AM
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Wednesday, December 17, 2014

THE FIVE MINUTE MILE


I had become a runner by the time I got to Bay View High School. Running somehow brought me joy. I do not remember how I started. In sixth grade I became good at the longer distance races of the President’s Physical Fitness Test.  Later in Junior High, during the occasional free gym period, I would often run outside, encouraged by one of my gym teachers, who himself was an avid runner.  I ran on my own outside of school, my regular path taking me through the seminary near my house and then Bay View Park along the lake. My running got noticed by my friends and others, and by the beginning of my sophomore year I was urged to try out for cross country. I did not try. Into that winter I continued to pursue my solitary runs, treading crunchy snow and ice on the trails in seminary woods and in the park along the bluffs above the lake and under the electric lines reaching out from the lakeside power plant toward Kinnickinnic Avenue.  I learned to pace myself, coordinating breaths with strides, taking with each breath the same number of strides on the inhale and exhale.  A three, or four, to one ratio made for a decent, long distance pace.  To run faster, I reduced the number of strides for each breath until, at one to one, I was on the final dash toward finishing. I never attempted to time my breath-stride ratios, since a breath’s duration will change when running faster or slower. In fact, I rarely wore my watch, because it seemed that time crawled slowly for me whenever I paid too much attention to it.  How did I know how fast I was running? Trees and other things blurred past my vision as I went faster, and I felt the wind pushing against me. Another sign was the greater effort of increasing my speed and then the relief of slowing down. And so through the winter I continued my runs over snow and ice on the bluffs and in seminary woods and under the power lines.  Spring was a month or so away when I was urged to try out for track.  I did not try, and for another year I ran alone.  Again the following year I was urged to try out.  This time I tried. I signed up for the team on February 14, 1977.

Bay View High School was Milwaukee’s first million dollar school. It was built after the Great War, replacing the “barracks” that had housed the school starting in 1914. It was named after the neighborhood that it served[1].  A red brick castle enthroned on a lawn covered hill next to Humbolt Park, the school had a facade that impressed its pedagogic dignity on the students as they approached its main entrance.  This impact was diminished somewhat after an addition was built into the hill in front of the north façade.  The addition was completed in my sophomore year, and provided much needed space for the music, industrial arts and athletic departments. 

The first track practice was on February 21. We were divided into track and field according to our abilities. I did not even attempt field, because its projectiles and targets confounded me. Track divided into hurdles and the various unobstructed distances.  The hurdles tripped me up, and so to unobstructed distances I slotted for further sorting.  Although I was a capable sprinter, I did not like the ferocious, chasing nature of that race.  I was better suited for long distance. I had to adjust myself during those first few weeks of practice to running with my teammates. Group running was new to me, and a very different experience it was from alone running. My teammates gave content to my running, and they gave a means of comparing not offered me merely by the pressing wind against my face, or the passing trees. My teammates gave me a reason to run faster: to try to be first, to try to win. The stopwatch provided the impartial standard by which to judge ability. I never had to deal with that kind of stuff when I ran by myself, and it was perhaps the peculiar feeling of carelessness that was the source of the joy that I felt whenever I ran alone.


We run to and away with each stride.  When war forced him to flee his native Knossos[2], Ergoteles ran at the Olympian, Isthmean and Pythian games for Himera, the city that gave him refuge. Pheidippides ran to Sparta[3] from the Athens, resting only once, when Pan called out to him at Mount Parthenion[4].  Three times around the walls of Troy, Achilles chased Hector, who stopped only after being abandoned by one God and deceived by another[5].  We run for different reasons. Ergoteles ran for fame and the other rewards that were heaped upon victors of those ancient games.  The Persians had just landed at Marathon when Pheidippedes delivered Athens’ request for help, and then he ran back to Athens with Sparta’s answer. Hector was running away from certain death. Achilles, the wrathful, was running for revenge or for justice or for the immortal fame his deeds would win him in the songs of the poets.

Running with, or against, my teammates during those first few weeks of practice, I had vague, worrying feelings that things would not happen the way I wanted them to happen. I had to learn all over again how to pace myself.  The press of the wind against my face, the trees blurring past my eyes, the sensations of greater or lesser effort – these no longer signified; instead, my position relative to the other runners provided the mark.  I was not concerned about my time, which was important for me only when the goal was to break my own time record.  It is very easy to see your position when you are last, a little more difficult when you are in the middle and almost impossible when you are out in front.  If I started out front, I could sustain my position for only a short time before exhaustion forced me to fall back.  Shame, on the other hand, always propelled me forward when I found myself trailing the others.  The strategy that I eventually developed was to keep to the pack until near the end and then dash to the finish as fast as I could run.  The mile, half mile and quarter mile became my races.  The mile was the ideal length for my chosen pacing strategy.  The quarter mile was my favorite length, because it was the longest distance for which I could sustain the effort of running as fast as I could run.  The half mile was my least favorite length, because for me it was like trying to run two quarter miles, and, after a few of strides into the second quarter, I became all gasping breaths and flailing arms.

Running the perimeter of Humbolt Park was a staple of track practice for the long distance runners.  During one cold, rain soaked afternoon in the last week of March, I managed to keep up with one of my teammates, Pete[6], on our second perimeter of the park. Pete was a veteran of the cross country team, and he was the best distance runner on the track team. This was the first time I was able to stay in his vicinity during a practice. He puffed me up with complements after, which I took as a sign of my own improvement.  Running was a religion for Pete. Running books were his bibles.  He could recite the names of every leg and foot muscle.  I learned all about lactic acid from him. He fortified himself for every track meet with the powers he derived from meditation.  Pete made wondrous and amazing claims for meditation, two of which stand out above the rest. One was that he could meditate the essence of his race plan into a glass of water, and, after drinking the water, the essence of his plan would transubstantiate into the race that he would actually run. The other claim was that he could meditate a tan onto his skin. He never demonstrated a meditated tan for us, but I am inclined to believe the race plan in glass of water claim, since he dominated the mile and two-mile.

I made the Junior Varsity team, and the vague, worrying feelings waned to the background - except for track meets - as I became familiar with my teammates and with the routine of practice.  My times gradually improved for the mile, half and quarter mile races. I ran in a track meet at the beginning of April.  And then, on the day before spring vacation, the teachers went on strike[7]. The strike lasted through the first week of May[8].   The school officially stayed open throughout the strike, and I was one of a small group of students who still attended every day.  There were maybe two or three hundred students in regular attendance, if memory serves me well.  The school was staffed by the teachers who were willing to cross the picket lines. Every morning the teachers drove in a motorcade toward the school’s parking lot. The striking teachers waited for them there.  As the cars approached under police escort, the strikers crowded the parking lot entrance.  Signs waved in the air and beat at the car windows. Faces grimaced and shouted. Angry gestures were affected.  I often watched this rowdy scene with some other students from a window overlooking the parking lot.  The spectacle left us mixed with amusement and disgust.  Once, a student even ran down to confront some of the striking teachers who seemed excessively rough that morning.  This encounter got captured in a newspaper photograph[9].  We started the school day by assembling in the auditorium for the day’s announcements and taking attendance.  The remainder of the day we spent in classes studying the subjects that were taught by the available teachers.  Another team member, Bill, and I, kept practicing as best we could after school. Another group who did not come to school held practice at Thomas Moore High School’s field. The teachers approved their new contract on May 9, and we had an official practice that afternoon when the track coach showed up in the school. The teachers returned to work the next day.

During the remainder of that strike shortened track season, there is one peculiar day, which seems to me noteworthy and merits a putting to words. We had a track meet June 10. It started late and ended around 9:30, by which time a restless agitation and grumpiness permeated the team.  After, as we gathered to board the bus, a team member shouted out “Turtle Head!” to one of the coaches, Mr. S., who was standing outside the door. He got mad and said that he didn’t want to hear the radio Pete was playing. Pete kept on playing it. Mr. S. then took it away. Nick came on to the bus, got into a tussle with Mr. S. over possession of the radio.  The return bus ride was all sulks, snits and muffled snickers. I went with Bill to the Mc Donald’s nearby after we got back.  As we ate, four guys from school (football team) came in, all of them drunk. Bill and I ignored them, finished eating and then left. We were crossing the parking lot when the drunk guys drove past us. One of them shot an unwrapped hamburger at my head. I responded flipping him the finger. The car then screeched to a stop. Three got out. One of them fired some questions at me in rapid succession, enquiring as to whom I was flipping the finger.  I replied with something to the effect that I just got hit in the head with a hamburger. My interrogator then gave me a powerful shove that sent me rolling. This all happened in the middle of the street. One of them kicked my gym bag, and then they left. Bill and I walked home.

My first year on the track team came to an end.

In the fall, Pete urged me to join the cross country team, but I could not take on another extra-curricular activity.  I was one of the editors of the yearbook, which kept me very busy for the first half of my senior year. I signed up for track though, and we began practice in February. Pete took charge of the practices for the distance runners.  We nicknamed him “the slave driver”.  In addition to perimeter of Humbolt Park, our practices included running up the hill at the park band shell, a run to the lake and back, and the standard race lengths (220, 440, and 880 yards, etc.).  Pete had us alternate between “hard” and “easy” workouts.  An “easy” workout would be a perimeter followed by four or five hills, then the same number of some of the other lengths, and sometimes we finished with a lake run.  A “hard”work out had twice as many of all the lengths and often we ended again with a lake run.  Not everyone always made it through the hard practices.  We always had an easy workout on the day before a track meet.  As the season progressed, my time for the mile gradually improved to within a few seconds of five minutes.  That duration of time, however, became a barrier that I could not seem to get myself past in practice or at meets. I made my goal to beat it. Twenty-four years earlier, Roger Bannister also faced a barrier, the four minute barrier, a length of time that had become significant just because it was there to be beaten. There was some controversy about the methods Bannister used to break the four minute mark[10]: was it an individual achievement, or the result of a team effort?  Teams, individuals, clocks, competitors, rivals, tactics - yet, the race is not always to the swift, nor the battle to the strong, but time and chance happens to them all.[11] Not that I compare myself to Bannister, but I was finally able to break through my own barrier too.

I have happy memories of everyone on the team that year. Jeff was one of our best half-milers. He had frizzy hair and often could be moody.  Coach Mierzwa nicknamed him “Mr. Cool”, because he never wore sweat pants, no matter how cold. Randy ran the quarter mile. He was a big Elvis fan. Bob and Terry were versatile runners.  Coach could not decide whether to put them in the hurdles, the quarter mile or the 220 yards.  John began the season as our best two miler. A guy nicknamed Stork started out as a two miler but switched to the quarter mile as the season progressed.  Jeff, Pete and I often formed a trio, keeping up with and challenging each other during practices.  There was often singing on the bus returning from track meets. Sometimes we sang, or chanted, during practice runs. On one of our runs to the lake, we sang "100 Bottles of Ergs on the Wall" all the way down to the sixteen bottles.

I kept a journal during my time in high school. How else could I remember some of the things I have written here? The journal entries include descriptions of the track practices and meets, and a few even include my time for the mile. But for my most persistent memory, that of the mile race I ran in under five, I can find no written record. The memory is fatter than the remains on the pages. Memory is the mother of History and Poetry.  She is old - maybe as old as Death even.  Sometimes I imagine her sitting in a bower at the foot of the Hill of Kronos, chewing on the pasts of everyone all at once, unable not to know everything that has ever happened.  I approach her suppliant, bearing offerings for her favor in my telling the story of that race.

The meet was on a Saturday afternoon in May.  I stretched my leg muscles and did a couple of short warm-up jogs. I lined up at the starting mark with the other runners. There were maybe fifteen in all.  The lining up ritual had become common for me; nevertheless, I always felt something like stage fright at the beginning of a race, an anticipatory dread of the effort approaching me. We twitched nervous energy as we sized each other up.  The official called us to order to form a more perfect line.  Then the long wait, which actually was not very long at all, which was followed by the false start of those whose twitchiness exploded into running too soon, and we all dumbly followed the false starters, spending the effort we were saving for the real race.  The officials called us to order and we gathered again into a line, forcing ourselves to twitch the nervous energy back into our bodies that was spent in the false start. Then another long wait that actually was not very long was followed by the true start.  It seemed an unusually fast beginning for a mile race as I attempted to find my pace during the first few frantic moments.  I held off setting my strides to breaths ratio until the pack of runners settled down.  By the middle of the first lap I was at three to one, but the breaths were very deep, almost gasps, as I kept myself in the middle of the runners.  One runner was out front, separated by a few lengths from the rest of us.  He fell back by the middle of the second lap, and we were all bunched together. A feeling of windedness crept up on me forcing my ratio to two to one near the end of the second lap, and then, inspired with ambition, I pushed myself toward the front.  Normally, I would not have begun this effort until the last lap of a mile race, but here I found myself dashing at the beginning of the third lap. I was in front, the position from which, without looking back, I could not tell where the other runners were. I was in front but I did not know how far. My teammates were cheering me from the infield.  I maintained the lead going into the fourth and final lap. I was at one to one by then, throwing my feet in front of each other as fast as I could.  I could see the finish line after the final turn.  I was in the lead.  I saw my teammates shouting at me, but I could hear nothing.  I was running as fast as I could.  My legs felt numb.  I was winning. Time seemed to slow, or distance seemed to get longer, or both.  I was first.  I could see the finish line getting closer, only a few more strides, when I saw him pass me just a few steps from the end. Afterwards, I learned what they were shouting at me as I approached the finish line, what I could not hear: “He’s catching up to you! Run faster!” The race is not always to the swift but time and chance happens to them all.   But I was swift that day. I ran the mile in under five minutes, my best time ever.
___________________________
Photograph from: Korn, Bernard C. (1980). The Story of Bay View (Second Printing), Milwaukee County Historical Society, ISBN 0-938076-05-1.


___________________________
The 1977 Track Team. Photograph from the author’s personal collection.


 ___________________________
The 1978 Track Team. Photograph from the 1978 Oracle Yearbook.







[1] See: Korn, Bernard C. (1980). The Story of Bay View (Second Printing), Milwaukee County Historical Society, ISBN 0-938076-05-1.
[3] Grogan, R. Run, Pheidippides, Run! The Story of the Battle of Marathon. BRITISH JOURNAL OF SPORTS MEDICINE, Vol. 15, No. 3, September 1981, pp. 186-189, Retrieved December 17, 2014 from http://www.ncbi.nlm.nih.gov/pmc/articles/PMC1858762/pdf/brjsmed00255-0040.pdf
[4] Herodotus. Histories, VI, 105-106, Retrieved December 17, 2014 from http://www.parstimes.com/history/herodotus/persian_wars/erato.html
[5] Homer. The Iliad, Book XXII, Retrieved December 17, 2014 from http://www.mlahanas.de/Greeks/Texts/Iliad/iliad22.htm
[6] I use their real first names.  I use last names only if and when I get their permission.
[7] “Teachers On Strike; Schools Stay Open”; “Athletics At Mercy of Teachers”. THE MILWAUKEE JOURNAL, April 18, 1977. Retrieved December 4, 2014 from http://news.google.com/newspapers?nid=jvrRlaHg2sAC&dat=19770418&printsec=frontpage&hl=en
[8] “Strike Settled; Teachers Report back to School”.  THE MILWAUKEE JOURNAL, May 10, 1977. Retrieved December 17, 2014 from http://news.google.com/newspapers?nid=jvrRlaHg2sAC&dat=19770510&printsec=frontpage&hl=en
[9] See Photographs on page 1 of section 2. “6 Pickets Arrested as Trouble at 2 Schools Mars Teachers Strike”. THE MILWAUKEE JOURNAL, April 18, 1977. Retrieved December 17, 2014 from http://news.google.com/newspapers?nid=jvrRlaHg2sAC&dat=19770421&printsec=frontpage&hl=en
[10] Beard, Mary. (April 25, 2014). A Point of View: How Running Has Changed Since the Four-minute Mile. BBC NEWS MAGAZINE, Retrieved December 17, 2014 from  http://www.bbc.com/news/magazine-27111860
[11] Ecclesiastes, 9:11

Saturday, July 5, 2014

AN INVERTED HEART IN A NORMAL WORLD: Rodney Garland’s THE HEART IN EXILE




I happened upon this book while I was looking up the definition of “occult” when the word is used to describe something as secret, hidden or concealed from view. There was this quotation supporting the definition[1]“Although in the typically occult language of the time, Garland's prescient account [in his notorious homosexual novel of 1953 The Heart in Exile] catches society at a crossroads.”[2] "Occult", "prescient", "notorious", "homosexual" – this book seemed to have it all.  I felt compelled to learn more about it.  The British edition’s disturbingly frank London homosexuality cover art hooked me. The sensitive and deeply perceptive homosexual underworld cover art for the U.S. edition was not as alluring.

There is not much biographical information about the author available on the internet.  Rodney Garland was a pseudonym used by Adam de Hegedus (1906 – 1958).  He was born in Budapest and studied for a career in the Hungarian diplomatic service, but he moved to England during the 1930’s and began to develop his writing career.[3]  His first published work in English appeared in 1937[4].  His first novel, REHEARSAL UNDER THE MOON, was published in 1946, and he first used the pseudonym Rodney Garland for The Heart In Exile in 1953. I came across two published reviews of THE HEART IN EXILE: in The New York Times, from October 31, 1954[5], and in Time, from September 20, 1954[6]. I bought the Amazon Kindle of the first American edition for only ninety-nine cents.

As I began reading the book, I noticed, and then I began counting occurrences of the word “normal”, and I feared falling into a literary kind of numerology by the time I ticked off the thirty-third occurrence of the word – the final count was seventy-two.  “Normal” is almost always synonymous with “heterosexual” in this book.  I kept counts of some other words too that are no longer commonly used to describe homosexuals and their culture.   “Invert” is used three times more often than “homosexual”.  The society of homosexuals is called “the underworld”. There is a smattering of “pansies”, who seemingly dare to go where mere inverts fear to tread.  “Abnormal” is used only four times as a synonym for “homosexual”.  I was reading a cultural artifact from another age, a psychological reliquary.

The main character and narrator, Dr. Anthony Page, is a psychiatrist and an invert.  We meet him in his office at his home in Kensington.  He is with one of his patients, Miss Wilkins, an obsessive-compulsive hand washer.  They are discussing her recent dream.  As she is leaving, Miss Wilkins offers an ungloved hand for Dr. Page to shake, a sign of her improving condition under treatment.  We never see Miss Wilkins again.  His next appointment is a new patient.  A Miss Ann Hewitt had phoned the previous day and requested an urgent appointment from Terry, Dr. Page’s office nurse and live-in housekeeper (and invert).  We briefly meet Terry, who is wearing a dark blue T-shirt that shows off his physique (lifts weights three times a week at the gym) and is too busy peeling potatoes to usher the new patient into the doctor’s office.  Based on her outward appearance, Dr. Page’s immediate diagnosis of Miss Hewitt is “nervous insomnia”, and, also, “County” trying to be “smart” (“Who on earth could have sold her that hat?”).  Miss Hewitt tells Dr. Page that she sought the appointment because she had found his name, address and telephone number written on an empty envelope that she found on the desk of her fiance, Julian Leclerc, who was found dead the previous week (an apparent suicide). She hands the envelope to Dr. Page.  Her news shocks awake emotions he thought were long lost.  His heart thumps and jumps into his throat. “I hadn’t seen him in a very long time,” he says.  He does not tell her the he and Julian had been lovers for a while before the war.  He stealthily mines her for more information about Julian.  Miss Hewitt desperately wants to understand why Julian killed himself.  She suspects that Julian was involved with another woman.  Miss Hewitt hands Dr.  Page a note that is signed by “Ging” (Ginger), which she also found on Julian’s desk but hidden in his blotter.  She is considering hiring a private detective to dig out the truth. Throughout the ensuing interview, Dr. Page keeps hidden his motivation, and inner distress, as he maneuvers his way into becoming Miss Hewitt’s doctor and dissuades her from hiring a private detective (“I shall try to find out what I can for you. And I can do it as well as a detective").  During a search of Julian’s flat the next day, he finds a photograph of a handsome young man hidden in the very same picture frame that displays Ann’s portrait.  He assumes it to be a picture of Ginger.  Finding this Ginger of the photograph becomes his quest as he attempts to uncover the circumstances surrounding Julian’s death. We follow him as he wends through London’s underworld and overworld, playing the sleuth, seeking out and talking to mutual friends and others who may have known Julian. 

That Ann Hewitt knew Julian least becomes clear early in the story.  Dim, but rich and with mannish good looks, she proposed marriage to Julian after six months of dating, having snagged him with gifts and a family business as a potential client for his law practice.  Even through her dull eyes we can see Julian squirm under her smothering. Among the other people we meet: a stockbroker, who initiated Dr. Page into the mysteries of the underworld; a working class invert struggling to become normal; an English Lord with a Butler and a comfortable annual income without having to work for it; an invert Scotland Yard detective; an invert member of Parliament; a successful playwright; a working class invert struggling to climb out of his class; a normal cousin of Ann’s who had been in the Guards with Julian; a normal working class man who had an affair with Julian; and Julian’s philistine law partner.  Their different viewpoints and experiences contribute pieces to the puzzle of Julian that Dr. Page is trying to assemble. We hear that Julian knew many people, but had no close friends. He was courageous during the war. He could be reckless when he “hunted” in the underworld.  He was handsome, intelligent, and charming.  He was a hard worker.  He had a general air of sadness or unhappiness about him.  He was a regular chap who understood the working class bloke.  He was seen often in the company of his social inferiors.  There was bit of the actor and performer in him. In the end, the pieces of the puzzle adhere loosely, because the people who knew Julian can reflect only the various surfaces that he himself effected; but some of Julian’s surfaces were necessary in order for him to keep hidden his homosexuality, the open expression of which was censured to various degrees by the society in which he lived and worked.  This miasma of disapproval, in all its aspects and affects, is thoroughly explored in the conversations that Dr. Page has with Julian’s friends,  acquaintances, and family, and also in his sharp descriptions of the few places where inverts could gather openly.

Throughout the meetings and conversations that Dr. Page narrates, he seems incapable of not sorting people by their social class, occupation, and dress.  He types all who cross his path.  The psychological categorization of his patients is, of course, an essential aspect of his profession, and also this is England; nevertheless, his analytic observations carry a peculiar, personal graveness and taste.  We get phylum, class, genus and species whenever we meet someone through Dr. Page's gaze, even when the only thing before his eyes is an image.  The mere photograph of Ginger, for example, begets this analysis:

“He was what in these days some people call the Butch type, with a pleasant, open face, decidedly serious; a face which laughter sometimes doesn't suit. I had to discount the slight alarm in the eyes facing the camera lens…, but the eyes were light-colored and large and I saw how long the eyelashes were and how generous the lines of the mouth. The nose was broad, very broad, almost flat in the middle. But apart from these features the face… was a little stereotyped….[T]his young man looked post-war working class. Except for the features, he need not have been English. At first glance, he could have been any variation of Atlantic Youth… the prototype being Guy Madison or Burt Lancaster…. It was true that the hair-style helped…. It was a "snazzy" haircut…and his thick and rich, light-colored hair lent itself perfectly for the purpose. There are only about a dozen hairdressers in London who understand the trick…. They are expensive and there is usually a queue of cyclists and barrow-boys outside them. Was this "Ginger"? … I was sure now that he was English, more likely from London than the provinces, and I was sure he was "normal." He wore a dark jacket—obviously "semi-drape"—a spearpoint collar and a dark tie in a Windsor knot. He was the type some middle-class inverts look at on street corners with nostalgia, a type sometimes dangerous, but always uninhibited. He would spend a good deal of money on clothes as dramatic as his haircut—more than people like Julian or I or anybody in our social group. We would not be allowed to call attention to ourselves in such blatant if successful ways as Ginger…. They wanted to assert their personality and wanted to be admired by both sexes.”
This dazzling display of social and psychological taxonomy leaves one breathless, but the display tells more about Dr. Page than it tells about the character of the yet to be met Ginger.  We see everything, meet everyone through Dr. Page’s eyes.   

Who is this Dr. Anthony Page? He certainly does talk a lot about himself.  He has enormous curiosity about people’s minds, actions and motives.  He strives to practice the motto “Physician, heal thyself.”  All his life, even as a boy, he was the kind of person, “[in] whom people confided at once, to whom people talked without reserve.”  Dr. Page somehow inspires trust in others. This quality has proved a great asset for his chosen profession of psychiatry.  It also helps him deceive others when he thinks that he needs to keep things hidden, such as his homosexuality. Dr. Page is almost always empathetic, but rarely sympathetic.  The only time that he displays any sentimentality is in his telling story of his relationship with Julian; otherwise, his analyses of other people’s personal relationships – especially those between people from differing social classes – read like bills of lading, or exchanges of goods and services.  He even offers a brief paean to the concept of Platonic Love.  Julian had dumped him, and he confesses that this broke his heart. Dr. Page developed a "violent dislike" of love-life in general after their break up, and thus began the changes in his emotional life that still persist.  During the war, in the libertine atmosphere of the London underground, he was “as promiscuous as others." A few years after the war, while on a train heading toward New York, he experienced a “spiritual” awakening about the nature of love:“there was only one love, and it was sacred”.  After that epiphany, he actively contemplated the idea of love but divorced the idea from his fleshly appetites, which were greatly diminished anyway. As he knows from his own experience with patients, this was not an uncommon condition: “I was alone because I was almost incapable of love, because I was suffering from a stunted heart….”  Will he ever be able to unstunt it?  During a lengthy and fascinating dialogue with his psychiatric mentor, Dr. Page confesses to a crisis of identity: how can his homosexuality fit with the other pieces of his fragmented life?  In essence, this is the same question that Julian, in the course of his own life, had failed to answer for himself.  If Dr. Page is finally able to answer this question, he does so in the closing chapters of the novel as he unravels the circumstances surrounding Julian’s death.

I am glad that I chanced upon this book.  I was never bored while reading it.  The story follows loosely the forms of the detective novel and maintains suspense reasonably well.  Most of the characters are interesting to read about.  The descriptions of the London underground in their gathering places are fantastic.  The 1950’s terminology was at first jolting, but I became accustomed to it as I plowed through the novel. Through the eyes of its main character and narrator, the story explores the inner and outer lives of homosexuals living in a society that forces them to hide a core part of themselves.  THE HEART IN EXILE offers a kind of looking glass with which to view our own new world in which the inhabitants of the former underworld seem to be becoming normal.






[1] A. adj. 1. A. Not disclosed or divulged, secret; kept secret; communicated only to the initiated. Now rare.
[2] "occult, adj. and n.". OED Online. March 2014. Oxford University Press. http://www.oed.com/view/Entry/130166?isAdvanced=false&result=1&rskey=96MdjZ& (accessed May 09, 2014).